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BJORN VENO “Our wisdom is slavish prejudice, our customs consist in control, constraint, compulsion. Civilised man is born and dies a slave. The infant is bound up in swaddling clothes, the corpse is nailed down in his coffin. All his life long man is imprisoned by our institutions.” Rousseau The body of work Sirkel gave the artist an arena where he could break down such constraints through a form of performance, which takes inspiration from surrealist, automated writing. A method that allowed the artist’s subconscious to press through, and find expression through the body itself. In dialogue with this approach, the artist enforced high levels of control through planning, preparation and postproduction, in order to create juxtapositions between the two, and such contradictions permeate the work throughout. The most prominent, being the distinction between the artist’s ideas of his child self and his attempts at being a man in modern society. “Being a free–lance explorer of spiritual dangers, the artist gains a certain license to behave differently from other people…” Susan Sontag
EDUCATION BA Philosophy,
University of Oslo, 2002 GROUP EXHIBITIONS Three BY Three (3), Yinka
Shonibare’s space (curated by JJ Charlesworth), London
AWARDS London Photographic Awards. Awarded Gold for my body of work 'Sirkel' in the category: Documentary: My Back Yard., 2006 International Photography Awards, Awarded 1st place for the photo series "Sirkel" in the category: People in non-professional, sub category: Self Portraits, 2006 International Photography Awards, Awarded 2nd place for the photo series "Where are we?" in the category: People in non-professional, sub category: Other, 2005 London Photographic Awards. Awarded 2nd place for the picture "Sparkel" in the category: L/scape - Landscape with Figures, 2005
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